Sinds vanmiddag ben ik (eindelijk) de gelukkige bezitter
van een origineel exemplaar van het boek van Harold
H. Joachim, A Study of the
Ethics of Spinoza (Ethica Ordine Geometrico Demonstrata). Clarendon
Press, 1901. Het gaat om een afgestoten bibliotheekexemplaar dat er nog zeer
fraai uitziet: het is door de Cumberland County Library weggedaan, nadat het
zo te zien weinig of misschien wel nooit is uitgeleend. Ze hebben het aldaar nu
in ieder geval niet meer in de catalogus [cf.]. Via het onvolprezen Antiquariaat Spinoza Amsterdam
heb ik het nu voor €26,50 in mijn bezit. Zo’n origineel boek uit 1901 is toch
leuker om in je handen te nemen dan en moderne reprint.
Ik ben benieuwd hoeveel ik erin ga lezen. Ik weet dat Joachim’s boek een idealistische lezing van de Ethica brengt, maar ben benieuwd hoe storend dat is.
Ik ben benieuwd hoeveel ik erin ga lezen. Ik weet dat Joachim’s boek een idealistische lezing van de Ethica brengt, maar ben benieuwd hoe storend dat is.
Aan
het eind ook een foto van de titelpagina. Ik verbaas me altijd weer hoe
bibliothecarissen het klaarspelen om hun stempel precies door tekst heen te
zetten, terwijl er genoeg ruimte was om dat stempel elders te plaatsen. Als het
per se zo moet, denk ik dat ik ongeschikt zou zijn als bibliothecaris
Preface
The Ethics is a work which presents many perplexities
to the interpreter. Barren abstractions, tortured into the form of ‘
geometrical demonstrations ’ by a pedantic logic, appear to constitute the larger
portion of it: and the remainder has been taken for poetry pure and simple. It
has seemed easy to annihilate the first with a few catchwords of criticism,
dismissing the second as the dreams of a mystic. In the following exposition I
have tried to interpret the Ethics as a whole. I have assumed that the 'poetry' and 'imagination' which breathe through its pages are — as in a great
thinker they must be — in the service of a mind, which is ‘pedantic ’ only in
its endeavour to think clearly and reason logically. The so-called ‘mysticism' must, I am convinced, be read as part and parcel of Spinoza’s metaphysical
views ; and the ‘God’ of the earlier parts of the Ethics must be interpreted in
the light of the whole work. In the course of my exposition many difficulties
and criticisms forced themselves upon me; but I have endeavoured so to arrange
their discussion that it may interrupt the statement of Spinoza’s views as
little as possible.
Where it seemed important, I have traced the historical
relation between the theories of Spinoza and those of Descartes; but I have
made no attempt to give a general sketch of the latter’s philosophy. It would
have to be more than a sketch to be of value, and for a complete exposition I
have no space.
In the desire to avoid needless obscurity I have sometimes
passed over the views of well-known commentators in silence, and I hope this
omission will not be attributed either to ignorance or to conceit. Wherever it
was possible for me to trace a creditor I have acknowledged my debts, and in the
appended list of ‘References and Abbreviations’ I have mentioned those
commentaries which have helped me most.
In common with all English students of Spinoza, I am
greatly indebted to the works of Sir Frederick Pollock, the late Principal Caird,
and the late Dr. Martineau; and my obligation does not end where my
interpretation differs from theirs. But, so far as I am aware, no English book
appeals only to readers who wish to make a special study of Spinoza’s
philosophy; and I venture to publish this attempt at a critical exposition of
the Ethics in the hope that, whatever its shortcomings, it may help to fill a
gap.
I owe the interpretation of two of Spinoza’s geometrical
illustrations (below, p. 32 note 2 and p. 223 note 2) to the kind help of my
colleague, Mr. A. L. Dixon, Fellow and Tutor of Merton College: and I am glad
to have this opportunity of thanking my friend. Dr. Robert Latta, Professor of
Moral Philosophy in the University of Aberdeen, who read nearly the whole of
this book before it was printed, and made many valuable suggestions and
criticisms.
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